So the exhibition was a huge success and it was noticed by many, critics were recognizing the talent and word was getting out to the masses.
The Herald Tribune – French edition
Spanish critic Arte Guia
Arte Guia Translation:
First exhibition in Paris of a Spanish painter who has been living here for the last 4 years & whom Juana Mordo introduced in 1965. We find ourselves before one of those painters who believe en the true value of well done painting and who virtually executes the “trompe l’oeil” without owing anything to photography or to “collage”
Critic for “Le point”
Translation:
“Le Point”
Hyper-realism? Well no, painting, slowly matured, precise, something precious, Salvador Maron, young 28 year old artist, originally from the Canary Islands, paints “from life” as Velasquez and Vermeer before, he likes to make sensible, palpable splendour of the cloth, canvas, muslin, velvet, crushed, broken, knotted carelessly a big quick knot, they enclose a picture frame which can be seen. “We are overwhelmed with information,” says Salvador Maron: Time to drop the curtain”. Trompe l’oeil which inclines to dream and discover, a symbol of art full of promises half-open to its secrets.
Le Pariscope
Translation:
One day, to carry a painting, I wrapped it in a sheet: Then I saw the sheet, its material, its folds, its movements. I found this nice stuff to paint. “Salvador Maron dreamed, it seems, to be a bullfighter. There is no muleta in the fifteen “hidden paintings ” that make up, with ten drawings, his first exhibition in Paris, but a sort of reflection on life and death through a single and multiple subject: the fabric. The tromp – l’oeil, with its razor-sharp precision in every detail of white sheets that are knotted in the center, drapery of broken folds, prominent embroidery, linens that wind, run or tear around the painting which appears only in reverse, chassis and string to hang. Or a piece of the painting is revealed, he has seen it on his easel and fabric with pink stripes are intertwined in complicated knots, overflow in a living mass of the fabric that should contain it. But the trompe-l’oeil is not only in appearance, because the eye is deceived if it stops at what it sees. The support of the painting, what is behind the array, is always the canvas on which the painter brushes his inner reflection.
Translation:Its materials are still at a raw state. They are tied, torn, crumpled sheets of silk or brocade painted trompe l’oeil as modest as sumptuous. Every detail of texture, grain, scratches, weft, is highlighted. There is an obsession and derision in this Spanish artist who has adopted the realist tradition of his country. He lets off steam by painting canvases slashed as if he could not stand the order and comfort that suggests some of those velvets.
The painter who wins the first prize will receive an exhibition in Tokyo and later will be presented in Paris. The final selection of the jury is exposed at the Nichido Gallery until April 24.
I personally enjoy very much the fact that he is featured in 2 different articles on the same page…hello! 
The telegram stating that he received the Distinguished Nichido Prize
Above is the painting that the Nichido Gallery acquired 
The Nichido group
Maron on the far right above
And finally here they are celebrating at the Nichido Gallery in Paris
you can see Maron listening attentively to Andre Parinaud with his love by his side and to see what’s happening with my mother during this time click HERE